Lauren Stowell ’06 is director of the HBO Original nine-part series “Celtics City,” which debuted March 2, with new chapters airing each Monday through April 28. The documentary series chronicles the remarkable saga of the Boston Celtics, the NBA’s winningest and most storied franchise, from its founding as one of the league’s original teams all the way to its 2024 world championship. Executive producers are Emmy winners Bill Simmons and Connor Schell. Stowell, who is a multiwinner of Sports Emmy awards, started her career as a journalism major and student assistant in UConn’s Athletic Communications Office.

What was your role as the director of this massive project?

As the director, my role was to shape the vision of the film – both creatively and structurally. That meant everything from deciding how we tell the story, who we interview, and how we frame those conversations in each episode. I was responsible for everything from being in the field conducting interviews, spending hours in the edit room, and reviewing cuts with our talented team of editors and showrunners, to selecting the right musical cues and finding a composer who could help bring that vision to life.

Every detail, down to the pacing and how a moment lands emotionally for the audience, to the way the interview looks, falls under the director’s responsibility. So whether I was spending time with the daughters of Bill Russell and Red Auerbach, walking around Roxbury with Satch Sanders, or driving around Boston with Robert Parish on the way to an autograph signing, my role was to create an environment where these moments could organically happen and help drive the story we wanted to tell.

It’s a big responsibility for a series of this size, but I had great support and couldn’t have done any of it without my incredible team.

How many people were interviewed for this series?

We interviewed nearly 100 people, and I did about 70 of them. I had a big assist from our producer Sascha Gardner and also want to note [former Boston Globe reporter] Jackie MacMullan, who served as a consulting producer for the series and is the reason we got Larry Bird and Robert Parish in the chair.

Did it surprise you that nothing like this had been done about the Celtics and how did you get involved?

Bill Simmons and Connor Schell had been discussing this as far back as 2020. Thinking about the sport documentary landscape, they asked how it was possible there had not been a definitive documentary series that told the entire history of the Celtics. Connor and Bill approached me in 2023 about the possibility of directing this film and gave me their initial treatment of the series. I was blown away. I thought I knew the history of the Celtics, but I didn’t know the depth and the layer of nuances of their story.

It’s not just what they accomplished on the court, because when you start peeling back the layers, you find out what they represent and how they have influenced the city of Boston and all of America.

What did you learn about the Celtics during the production?

I never knew that the Celtics were really at the forefront of pushing society forward. Red Auerbach and the owner Walter Brown were the first to draft a Black player in the NBA in 1950. They also had the first Black starting five in the NBA and the first Black coach with Bill Russell. We all know what Bill Russell stood for and his impact on the civil rights movement, but when we sat down with Jaylen Brown, he talked about the reverence he had for Bill Russell and his influence on the franchise that still exists today.

We also explored the relationship between the city and the team and explored the history of Boston. With a nine-hour film, you have the opportunity to do that and discover the intersections when the team influences the city, and the city influences the team.

Doing all those interviews must have taken a lot of time and coordination.

It was a very aggressive schedule, as you can imagine. A lot of the interviews were three or four hours long and we had to cover a lot of history. We started with Bob Cousy in April 2023 at his home and spent three hours with him. We wound up the interview process with Kevin Garnett in August 2024.

At first, we wondered how we were going to fill nine hours and then as we were gathering content and all kinds of layers were being uncovered, we didn’t know what to cut. Our most unique challenge was to tell a cohesive story over nine hours and in each episode.

Did you interview Ray Allen ’23 (BGS), who won an NBA championship with the Celtics in 2008?

Ray welcomed us into his home in Florida and he was incredibly honest when I sat down with him. It was a full circle moment for me, as his UConn teams in the 1990s were my entry into the world of sports as I was growing up and developed my love for basketball. He talked about his decision to play for the Celtics and then to leave to go play in Miami with LeBron James. Ray really opened up and shared his experiences and I am excited for people to hear his story.

Reported and written by Mike Enright '88, University Communications

 

 

Joe La Puma catches the understated but symbolic paisley touch. He and another sneakers enthusiast consider the design’s attention to detail, right down to the celeb’s tagline — “Underestimated” — on the ankle straps. Pretty sick, they agree.

Roll the clock back 20 years, and La Puma could have been having a similar discussion with friends in his UConn dorm room, the South Campus dining hall, or Gampel Pavilion’s student section. Known to friends for his ability to cop some of the latest sneakers on the market, La Puma’s newest pair surely would have generated intense interest among his fellow Huskies.

But this isn’t 2003-era Storrs, not by a long shot, and the black and red Adidas aren’t on La Puma’s feet.

It’s a temperate February evening in the heart of SoHo, and La Puma is in a high-end sportswear store Stadium Goods, with its walls of pristine sneakers of all makes and colors on display around him.

This pair — the hard-to-find KSI X Adidas Forum Hi model — was specially flown to New York City, and is now displayed in a glass case in the store’s center aisle.

And it’s KSI himself who’s walking La Puma through his design choices with Adidas while a production crew captures their conversation from cameras at various angles. After seven efficiently orchestrated takes, they’re ready to take down the lights and wrap up the latest taping of “Sneaker Shopping,” the Webby-Award winning YouTube show that La Puma originated and hosts for Complex Networks.

It’s garnered more than 1 billion views over 250-plus episodes since it launched in 2014, during which time he’s welcomed Grammy and Oscar winners, Hall of Fame athletes, Vice President Kamala Harris, and sneaker connoisseurs as diverse as Bill Nye the Science Guy and billionaire entrepreneur Mark Cuban.

Using his UConn education and his Complex connections, La Puma has carved out his own career path to become the network’s senior vice president for content strategy and one of the nation’s — if not the world’s — foremost experts on sneaker culture.

Pretty sick, indeed.

A pop culture and sneaker enthusiast since youth, La Puma has made “Sneaker Shopping” the must-watch show for established and aspiring sneakerheads. The high-profile personalities who join him come from all walks of life, but share his passion for the industry’s history, creativity, and cultural significance.

Continue reading the full story in UConn Magazine >>

Journalists working in the United States may feel used to navigating the motives and special interests that influence their sources. Once a model of freedom of expression, the United States this year ranked 45^th out of 180 countries on the World Press Freedom index. The reasons why America doesn't rank near the top include media company monopolies, public distrust of the press and fake news.

Conditions, however, are worse in numerous other countries, where governments instability, wars, protests and other unrest make finding the truth a risky task. We talked with two UConn Journalism alumni who have extensive experience working abroad as foreign correspondents. They have learned to navigate difficult situations when political unrest, war or press restrictions severely challenge movement and interviewing sources.

Diego Cupolo '06 has been working for seven years in Turkey, which ranks a dismal 165^th out of 180 countries on the World Press Freedom Index.

Alexander Villegas '12 is based in Chile as a senior correspondent for Reuters News Service. He recently reported on the killing of political protesters in Peru. Peru ranks 110^th out of 180 on the Press Freedom index.

 

Getting around roadblocks both real and bureaucratic

Using their experience and wits as foreign reporters, and relying on the foundation of their UConn Journalism training, Cupolo and Villegas say they are constantly challenged to find creative ways to gain information.

Cupolo has been freelancing as a multimedia journalist for seven years in Turkey, where he lives with his wife, Ceylan Akca, and their child.

The Turkish government denied him an official press card several years ago, he said, because he had covered a conflict in the Kurdish region in the southeast of the country. “The government did not like my reports,” Cupolo said, adding that his situation is not unusual for foreign journalists in Turkey. “A lot of people get deported.” He has been able to stay because of the residency he gained through his family.

Cupolo’s wife, Akca, became a candidate for parliament this year, running as a pro-Kurdish Green Left Party candidate. As a result, Cupolo has recused himself from covering Kurdish politics. But there’s plenty more to cover. He publishes a newsletter on Substack called Turkey Recap, which updates readers familiar with Turkey on the week’s news and political developments. The newsletter highlights his deep knowledge of Turkey and helps him secure assignments from foreign outlets. Lately he’s been reporting for the CBC on political speeches and Russian soldiers in Turkey.

Just as gaining press credentials can be difficult, so too is the process of finding accurate government data. He said he does not generally trust data released by the government. He will cite “official statistics” and quote independent research groups. “The problem is when you’re in a highly polarized political environment without free speech,” he said, “these groups that give you the alternative data often have political motives.”

Most citizens in Turkey are not eager to talk to reporters, he said. “There’s nothing they can gain from talking to journalists. You have to be lucky or approach them in the right way or in the right place. Usually if you’re at a pollical rally, people are more open to talking because they’re already in public, showing their preferences. But if you’re going to stop someone random on the street, it’s pretty difficult.”

Police officers in Istanbul have stopped Cupolo, ordered him to stop filming or photographing and even made him delete his material on the spot. “It’s like: ‘Be detained or erase your photos while I watch.’ ”

Despite all that, much of his work gets through; there’s no hard-and-fast prohibition on reporting there. Rather, it’s unpredictable and arbitrary. “Most of my day is just based on circumventing limitations,” he said, “and I don’t even think of them as limitations after seven years. It’s just the environment. You don’t step on a tack.”

Villegas has been senior correspondent for Reuters in Chile for two years. He is based in Santiago in a bureau that covers several countries. Before that, he reported from Costa Rica, where he grew up, for The New York Times, The Washington Post, the Guardian, the BBC, and others, including the Tico Times, a Costa Rican paper where he was assistant managing editor for two years.

In his work reporting on indigenous land conflicts, political unrest, drug trafficking, climate change, and other stories, Villegas has found that consistently asking for more information and stating whom he works for has worked to build trust.

For example, in December 2022, Villegas was sent to Peru to cover public killings of protesters after the ouster of former President Pedro Castillo. The reporter said he feared he had arrived too late to get the full story. But then he started talking to people who lived near some of the shootings. He persuaded a woman who owned a security camera to share crucial footage of one innocent man’s shooting. And Villegas visited government officials and asked questions—repeatedly. He said that Peruvians often don’t trust the local press and that there’s a saying there that it takes the foreign press to get the real story.

Villegas, who five years ago worked in protest-torn Nicaragua and has written about drug trafficking, said he over-prepares for his physical safety. “The main thing is preparation,” he said. He owns two bullet-proof vests, one light and one very heavy, and he sometimes takes a gas mask.

And he wears locally made steel shoes he learned about from a photographer.

“They look like sneakers” but protect from electric shock, nails and glass, and hazardous chemicals like gasoline.

 

Teaching students why world press freedom matters

The United Nations marked the 30^th anniversary of its World Press Freedom Day on May 4. Although digital platforms have helped advance reliable news reports, reporters around the world continue to struggle with their physical safely and freedom to ask questions and communicate in public.

UConn Journalism Associate Professor Scott Wallace said he believes covering conflicts is more dangerous today than it was 30 years ago. Wallace has worked as a foreign correspondent in South and Central America, the Arctic, South and Southeast Asia, China, the Middle East, and the former Soviet Union. He is known for sharing his extensive international experience with students in his environmental journalism and visual journalism classes.

Reporting in pressure-filled regions requires respect for the culture, physical safety precautions, and sometimes the willingness to talk one’s way out of a situation, said Wallace, who is writing a book about his time covering Central America, Baghdad, and Iraq, in the 1980s through the 2000s.

Once in El Salvador, Wallace said, soldiers with no uniforms stopped him as he was driving through an area looking for rebel forces. He had a hunch these soldiers were not rebels but actually government army people trying to disguise themselves. So when they asked, “Are you looking for terrorists?” he said, “No, not at all.” He was, of course looking for rebel forces, but he spoke knowledgably to the soldier who stopped him, saying he’d heard the army had taken control of the area and had come to see for himself. “They looked at me like, ‘Who is this guy?’ And they let me go past their roadblock.”

Wallace, who has taught in UConn’s Human Rights Institute in its partnership with the Scholars at Risk program, is working on a new special topics course that will examine world press freedom. The course will be cross-listed with Journalism and Human Rights. Wallace said he and HRI Director Kathy Libal aim for the course to launch in Spring 2024.

---

—by Christine Woodside

After her top-10 finish in the 10K final at the 2021 Olympic trials, Emily Durgin ’17 (CLAS), who won nine American Athletic Conference individual championships at UConn while earning her journalism and communications degree, decided to take it up a notch.

She plans to move to marathon distance for a run at the 2024 trials. “I knew going for an Olympic team in 2021 was a bit of a reach,” Durgin says. “I was very happy to finish ninth. It told me — hey, I can make this team. Just have fun with it.”

Moving to marathons will include a buildup period and the Standish, Maine, native is looking at the Boston Marathon as a possible early measuring stick.

However, she says, “Boston can be challenging because of the downhill and uphill. I have to make sure the first one doesn’t beat me up.”

Taking things too fast is a trap both professional and novice runners can easily fall into, says Durgin. She advises against overtraining and trying to do too much too quickly.

Read the full story at UConn Magazine »

Camila Vallejo is a 2019 University of Connecticut graduate who double majored in journalism and communications. She is currently a Report for America fellow at Connecticut Public Radio. As a bilingual reporter, her beat focuses on housing disparities in the Fairfield County area. Vallejo's career trajectory began as an intern and freelancer for The Hartford Courant, Univision and UConn Magazine.

Responses been lightly edited for length and clarity.

Did you always know that you wanted to be a journalist?  

I knew I wanted to become a journalist maybe around middle school. I grew up in a Latino household. I'm originally from Columbia, and my mom always saw news anchors as celebrities. To this day she knows every detail about their lives — whether they have kids or are married. The news anchors were really who she looked up to when I was growing up. So obviously, she passed that admiration to me.

As a Latina growing up in the United States, I wanted to find some balance in my news consumption. I looked for different media outlets that I could also follow so I could better understand my community. But I quickly realized that American newsrooms don't have a lot of people in them that look like me. Our newsrooms aren't as diverse as they could be.

Very early on, I decided not only do I like this medium of the news — that I like to write and tell the stories, but that I also want to be the change in American newsrooms. I want to help different communities, specifically vulnerable communities, tell their story and not necessarily be the voice for the voiceless, but be the vehicle to elevate both tragedies and successes in our community.

During your time at UConn, what did you do to get involved in journalism ? 

At first, I was pretty involved with HerCampus my freshman year because I hadn't really decided what kind of journalism I wanted to do. I never really explored The Daily Campus. At the end of my senior year, I started to get involved with the Nutmeg  where I was able to write a couple articles here and there. But really I didn't do a lot of clubs or anything like that.

My main involvement with journalism was through my classes. I was part of Prof. Marie Shanahan's weekly newsletter class for two semesters. That was really fantastic for me. And then in my last year, I was a student writer/intern for UConn Magazine where I was able to write different features and pieces.

What is Report For America? What do you cover as a reporter? 

It is a national service program that places emerging journalists into local newsrooms across the country to report under covered issues. I believe I was part of a cohort of over 300 journalists. I started last year, and on June 1, I will celebrate my first year with the program. I was placed at Connecticut Public Radio and I cover housing and housing disparity issues in Fairfield County.

You've worked at numerous places before landing at Connecticut Public Radio. How did your experiences shape your journey to Report For America?

Shortly after graduating from UConn, I landed an internship with the Hartford Courant, where I was in the features department. I was covering a variety of things in Hartford, whether it was food, events, the arts, etc. I did that for the entire summer and then they offered me the opportunity to freelance for a section targeted at millennials and younger news consumers, and I did that for a couple months. That was a great experience because I was given the chance to pitch the stories I liked, and was able to tell stories about a community that I belong to. The editors there helped me sharpen my journalistic skills and gave me the opportunity to go out and find stories.

Eventually, I found out about Connecticut Public Radio, and I started there as an intern. I was a production assistant for the afternoon news cast "All Things Considered." I moved into a position as a part-time producer for the show. And then I moved up to the Report For America.

What is the hardest part of reporting on housing disparities first-hand?

People often don't want to talk about their hardships. That's completely understandable because who does — especially to the public and with somebody who is a stranger. The biggest barrier is being able to build trust with your sources in order for them to know you want to tell their story. I think that's done through a variety of ways. It's done by visiting them a couple of times before you even turn on your recorder, by asking them if they have any questions for you. It's how you can better understand your newsroom's mission and what kind of story you are hoping to do, and how the story could impact the lives of your sources going forward.

Setting up that good foundation — where your source trusts you — is really important. But it's a challenge in this medium because you are covering really sensitive topics that impacted people's lives. Housing is the foundation of everything. Your housing determines where you go to school, where you are able to find a job, what kind of transportation is available to you, what kind of food stores are available to you. Everything really comes down to housing. So I think when you're in a situation where you're evicted from your home or you are experiencing a foreclosure or you can't find affordable housing that's within your budget, any of those scenarios, it really takes a toll on people. It's just a matter of really being willing to chase the story, and understanding the story often takes time.

How can journalism students get involved with Report for America? Are there opportunities for recent journalism graduates? 

Absolutely! Report For America opens their application every year. There are a lot of opportunities, but only offered for graduates. It's a great process. You apply, you discuss with the hiring managers what kind of work you'd like to do and what interests you, and they try to find a best fit for you. Then from there, you that interview with the newsrooms, and if the newsrooms like you and would like to see you in their workplace, then they give you an offer.

What would you say is the most important aspect of your job for Report for America?

The most important aspect is really making sure that I'm not only covering the issues, but covering people who are affected by these issues. Something that's always been really important to me is to be able to find the humans that are going through this because that's how we really impact change. When listeners are able to understand the kind of impact these large-scale problems are having on one family, on one community, and on one group, I think that's the best way people to connect and for change to really happen.  To able to find a human voice to speak about the kind of issues you're covering takes time, but in the end it's worthwhile because that is what the job is about.

Do you have any advice for UConn journalism majors who may be struggling to gain journalism experience? 

I would definitely explore the different student news organizations on campus. I would also explore the different opportunities that are at UConn in general whether it's opportunities like Professor Shanahan's newsletter production course.  I would also recommend reaching out to local news organizations and seeing if they have any opportunities available, whether it's freelancing or internships. That's the best way to get your name out there and  gain that experience.

In the end, if the organization says no and they don't have anything available right now, then maybe you can build a connection with a journalist there. Maybe ask them for a virtual coffee or in-person coffee. See what kind of connections you can make with people already in the field, because I can say this from personal experience. Once people get to know you, they think about you the next time an opportunity comes around.

Raquel Williamson '22 is a Journalism and Communications double major.

 

Adam Giardino ’11 came to UConn with the goal of pursuing a career in sports. It wasn’t until he got in front of the microphone at WHUS that he found his calling in broadcasting. While working in the profession, he found another passion pushing for social change in the broadcast booth. The journalism and communication alumnus discusses how he started the Black Play-by-Play Broadcaster Grant & Scholarship Fund in the wake of George Floyd’s death, and how he continues to chase his big league dreams at UConn.

Interview by UConn Journalism senior Ty Reeves ‘22.

Read the full story on UConn Today.

 

Congratulations to Sarah Al-Arshani '19, one of 25 journalists selected for the National Press Foundation's Widening the Pipeline Fellowship. The program is designed to support early-career journalists of color and help them rise to positions of influence in U.S. newsrooms. Training topics include leadership, investigative reporting, accountability reporting, data journalism, multimedia skills and in-studio media skills.

Over the next 12 months, fellows will receive training in leadership, in-depth reporting and more to expand the pipeline of diverse journalists. Fellows will meet in Washington D.C. for a three-day workshop March 20-23, then meet once a month for virtual training sessions and return to Washington for a concluding training in 2023. The journalists are based in 18 states and hail from print, radio, TV and digital newsrooms.

Sarah is currently a news reporter at Insider, Inc.

 

 

When Kyle Huson ’16 (CLAS) played competitive ice hockey, he’d lug his heavy gear to the rink. Now, he carries a laptop, and for the next week and a half credentials and a passport, as he covers the U.S. Paralympic Sled Hockey Team at the Paralympic Games in Beijing.

Huson, who majored in journalism and communication, is digital content manager at USA Hockey in Colorado Springs, Colorado, writing stories, posting content, and managing its social media channels. During the Winter Olympics, which closed Feb. 20, he stayed state-side and received content from staffers who were at the Games. But during the Paralympics, March 4-13, he’ll witness the action in China firsthand and provide his own accounts.

“A lot of what I do I owe to what I learned at UConn and the journalism and communication departments,” Huson says. “What I do is not just journalism-specific in terms of writing stories, but it’s also photography and videography. I’m able to provide in-depth content from different competitions and tournaments because of what I learned in my classes at UConn.”

Read more on UConn Today ↠